In the sixth and final part in our series focusing on mixing Michael Jackson’s “Billie Jean”, we’ll take a look at the stereobuss processing, as well as track routing and signal flow.
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In the sixth and final part in our series focusing on mixing Michael Jackson’s “Billie Jean”, we’ll take a look at the stereobuss processing, as well as track routing and signal flow.
For a limited time, I’m offering two inside look tutorials and a sweet bundle of resume-friendly multitracks (multiple genres) to new subscribers.