You don’t have a bad mix. You have a pattern.
Most feedback tells you what’s wrong with one song. You fix that song, you start the next one, and the same thing happens again, because nobody ever told you what you keep doing.
This reads your catalogue, not one track.
You send me two to five mixes. I listen to them the way I’d listen to an artist’s record, and I find the thing that repeats. Then I show you how to stop doing it.
What you get:
✓ A multi-mix review, two to five mixes. Assessed together, because one mix can’t tell you what your habits are.
âś“ A full written assessment. Tone, balance, clarity, depth, dynamics, from me, not a template.
âś“ Translation testing. Your mixes played back on multiple systems, so you find out where they fall apart before a listener does.
âś“ A private video breakdown, twenty to thirty minutes. What to change, why it matters, and how, on your music.
✓ A personal growth plan. The order to work in, so you’re not fixing seven things at once.
âś“ A follow-up pass. You revise, I listen again, you get final notes.
âś“ Priority email support while you work through it.
What this covers, next to what the pieces cost on their own:
A single video mix critique from me is $197, and it covers one song.
This is two to five mixes read as one body of work, plus the written assessment, the translation testing, the plan, and a second pass after you revise. All of it, once, at the price shown here.
Do the work and it works, or I refund you.
Follow the plan and send me the revision. If your mixes haven’t improved, email [email protected] and I’ll refund you in full. The one thing I ask is that you actually do the work, because that’s the part I can’t do for you.
What happens after you pay:
You get a confirmation with exactly where to send your mixes and what format I need them in. Once they land, I’ll tell you when I’m starting. Nothing else is needed from you until I come back with the assessment.
Is this a mix critique?
No, and the difference is the point. A critique is one song, one opinion, one time. This is your catalogue, the pattern inside it, a plan in the order you should work it, and a second listen after you’ve done the work.
What if my mixes aren’t good enough to send?
Then you’re exactly who this is for. I’m not grading you. I’m looking for what repeats, and that shows up more clearly in mixes that are still fighting you than in ones that already work.
Who actually listens to them?
Me. Every mix, every note, every minute of the video.
Secure checkout. Do the work and it works, or your money back.
John Shepherd
I received a mix critique from David yesterday. While complimentary in ways, he was very much the professional mix engineer finding what was less than complimentary to the rest of the mix. Thanks very much, David - I'm impressed with your ability to get right to the issues and even more impressed that your solutions are the right ones.
